Baltimore Watercolor Society A Mid-Atlantic Organization of Watermedia Artists |
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May 16 - July 255, 2026
5885 Robert Oliver Place Columbia, MD 21045
Juror: Matthew Bird
When it comes to watercolor, I don't believe there is a right or wrong way to use the medium, and when I judge a show, I look for all the "bones" of a solid painting: concept, composition, color, value, and drawing. These are arguably the more objective fundamentals. On the subjective side, I acknowledge that paintings can resonate differently from one person to another; every artist and viewer brings something different. Regardless of style, if there was something unique expressed or a fresh perspective, I took note. Lastly, if one award comes down to two equally good paintings, I will consider the presentation. Is the frame appropriate? Are the mats clean and crisp, etc.?
No doubt a different juror would make different selections, and there are certainly more paintings that I would award if I could. I’ve been on the other side of the equation as well, and often have the same questions you may have (why this one and not that one?), and I’d be happy to talk more about your paintings if you’d like.
COPYRIGHT STATEMENT
All images are the property of the artists and protected by copyright. No image can be used without the written permission of the artist.
Here are images of the award winners with further comments by our Juror of awards, Matthew Bird.
You can view all of the entries here.
| First Place: Glasswing by Karen Norman This painting works on a number of levels. The composition is well thought out, the draftsmanship is perfect and masterfully rendered and the color choices work to make this a painting you can spend a lot of time with. It’s a great example of nailing the fundamentals while also bringing some intriguing narrative elements and mystery that really engage the viewer. |
| Second Place: Tapestry by Craig Wright This is a highly distinctive, labor-intensive portrait that immediately stands out due to its unique technique. The image is made up of individual threads, which look three dimensional, and this gives the painting a feeling of both modernity and historical artifact at the same time. The color palette is vibrant and harmonious; the yellow dress contrasts nicely with the purple. It’s bold, ambitious and original. |
| Third Place: Sunday Reading (Time for me) by Luis F. Perez I love how the color temperature is captured in this painting, you really get a sense of the warm sunlight and the cool shadows. The figure is drawn well and the skin tones are complex, capturing translucency and depth. |
| Honorable Mention: Geometry Lessons by Barbara Hutchings I enjoy the abstract qualities of this painting. At a distance, or first glance, it is very non-object and geometric. This is enhanced when you appreciate the windows, the reflections and transparency of the glass. |
| Honorable Mention: Poppies by Rosanne Horowitz Great use of color—the reds, greens and purples really draw your attention from across the room. The artiss also makes great use of the substrate (presumable Yupo), creating lovely textural effects to create depth and lifting out important details like the stems which helps ground things so there aren’t just red blobs floating around. I enjoy the subtle color shifts throughout, and this painting is a great example of letting watercolor do what it wants to do. |
| Honorable Mention: Petunias by Carolyn Councell Two things I love about this painting are the use of color and the negative painting shapes. The color choices are probably what strike the viewer first: the ultramarines with the pops of pink and yellow. But it’s often said that color gets the credit when value does the work, and that is certainly the case here. There is a lot of depth, and the negative shapes, especially the dark abstract shapes are what make this painting come to life. |
![]() | First Place: Mello Yellow by Diane Shipley This is obviously another floral piece, but I appreciate that it’s zoomed in and composed in such a way where we can appreciate the edges and abstract nature of the petals. Mixing yellow and purple can result in a neutral grey, but they are handled just right in this case, preserving the luminosity of the pigments. |
| Second Place: Apple Martini by Connie Ennis This is a lovely little painting showing rich vibrant color and a good understanding of values. The dark background adds drama, and the high contrast and red of the apples really draws the eye in. |
| Third Place: Apartments For Rent by Valerie Kutchey This is a great street scene, capturing lovely architecture on a bright sunny day. I like the crisp details in the buildings mixed with the loose organic shapes of the trees. The cool grays in the foreground also add visual interest and fill that space nicely. |
| Honorable Mention: Peace in Bloom by Pat Weir This painting has a lot of beautiful details to take in; the bright, warm yellow is very inviting. I also like the rich background, where the watercolor was allowed to move freely, creating soft edges and blooms. |
| Honorable Mention: Swan Lake by Joan Baccala This painting successfully conveys tranquility. The soft lighting of the sunset, the glassy water and the graceful swans create a very calming feeling. The color palette is harmonious and I very much like the different blues and greens throughout. |
| Honorable Mention: Stonington Heights by James Protzman This is a strong composition that is well drafted. I appreciate the scale of the piece and also the attention to detail in every inch of this painting. |